One of my favorite Italian columnists, Michele Serra, writing about the qualities of a certain South American poet, remarked “It has to be said, to be fair to all other poets, that he starts with an advantage: Spanish is to poetry what cello is to music: everything sounds better.”
I’m an Italian, just like Michele Serra and to me, Spanish is indeed a refined, erudite language with just a touch of exoticism. It sounds elegant but slightly harsher than Italian, more serious and structured, but with some strange sounds (the unpronounceable “j” for example) and a better defined rhythm. Yes it indeed sounds great, like the cello — beautiful, soothing and warm while at the same time, deep and slightly threatening.
When you’re a linguist and when you live abroad, you hear a lot about the qualities of languages: beautiful, hard, musical, poetic, harmonious, harsh. And while recognizing that there might be some science behind what makes a language pleasant to the ear, I cannot help but thinking that none of these qualitative remarks have any truth behind them.
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